Oscar Carpet 2023: The Most Stylish Night of the Year

Textured Black Tuxes

Harvey Guillen (“Puss in Boots: The Last Wish”) swung dramatically into view wearing an elegant black jacquard suit with wide slacks and a jacket with a long, sweeping train. Jay Ellis (“Top Gun: Maverick”) arrived at the Dolby Theatre in a custom Fendi tuxedo with dazzling beading on the jacket.

Designer Christian Siriano explained to the E! red-carpet program hosts that he wanted to give Guillen’s appearance the movement of glitzy Old Hollywood-style gowns: With my art, I love to play with that masculine-feminine dynamic, Siriano stated. Guillen added finger waves to his hair to complete the vintage look of his outfit.

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Plain and Pretty Pastels

Hong Chau (“The Whale”), a contender for best supporting actress, showed up in a custom petal-pink Prada column gown with a black, feathery train and a little Mandarin collar as “a little shout-out to my roots,” according to Chau.
Halle Bailey (star of the upcoming “Little Mermaid”) donned aquamarine Dolce & Gabbana, while fellow best-supporting actress nominees Stephanie Hsu (“Everything Everywhere All at Once”) and Kerry Condon (“The Banshees of Inisherin”) chose pastel-pink Valentino and pale-yellow Versace, respectively.

The Return of the Bow Tie

The angular item has kind of a resurgence on the tuxes of attendees in 2023, despite the recent lack of traditional bow ties. Brendan Fraser The Whale, a candidate for best actor, wore one with his black Giorgio Armani suit. Questlove, the 2022 Oscar winner, selected a black bow tie to complement his all-black look, and Ellis followed suit.

In “Everything Everywhere All at Once,” Harry Shum Jr. reached for a stunning Adeam tuxedo outfit that included a long white jacket with a navy-blue accent, navy pants, and a navy silk obi belt. It’s East and West, he declared. James Hong, Shum’s co-star, sported a bow tie with the amusing addition of the movie’s recognizable googly eyes.

Disco-ball Dresses

Although Eva Longoria was the one who first referred to her Zuhair Murad gown, which had a choker design above a plunging front, as a disco ball, the shimmering, metallic, geometric style was widely seen outside the Dolby Theatre. “Avatar: The Way of Water” actress Sigourney Weaver accessorized with pointed earrings and a long, gold Givenchy gown with an animal design that shimmered like fish scales.

Ariana DeBose, winner of the Oscar for “West Side Story,” donned a white Atelier Versace dress with a plunging neckline, pointed shoulders, and geometric mirror-like beading.

Orange, at Last

Certainly, it’s a strange color for an Oscars gown, and perhaps the decision to forego the red carpet gave the wearer the chance to don orange at last. Sandra Oh and Janelle Monáe took the opportunity and shone in the color’s matte and shine variations, respectively: Oh arrived in a draped, pumpkin-colored gown by Giambattista Valli, while Monae wore a two-piece custom Vera Wang costume that featured a black strapless bra top and a vibrant, citrus-colored asymmetrical-waist skirt.

Low-maintenance Hair

Kerry Condon, Ana de Armas, Nicole Kidman, and Jessica Chastain all eschewed the updo in favor of wearing their lustrous, free-flowing hair over their shoulders for a gentler appearance. One can only imagine how pleasant it must be to be able to complete one task on the most glam-filled day of the year.

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