Are Bill and Frank gay in The Last of Us video game? Was a question that fans of the critically acclaimed Sony exclusive had been teasing and theorizing about for years. If you watched “Long Long Time,” the third episode of HBO’s post-apocalyptic series, and are only now emotionally recovering, you know the answer.
After the two action-packed opening episodes, we are taken back to 2003, just a few days after the fungal outbreak that would obliterate a large portion of the world’s population. Bill (Nick Offerman), a “survivalist,” is introduced to us.
He creates his paradise in the evacuated village of Lincoln. In addition to putting up booby traps and an electrified fence for security, he becomes utterly self-sufficient in terms of food and, probably most crucially, expensive wine that he stole from the neighborhood liquor shop.
He doesn’t plan on running into Frank (Murray Bartlett) or how they would discover love, hope, and meaning in a hopeless world. The Last of Us is a video game and television series about the end. Here is how the program’s story changed and developed as if Bill and Frank are homos*xual in The Last of Us video game.
Are Bill and Frank Gay in The Last of Us Game?
In The Last of Us video game, are Bill and Frank gay? Although there are hints that they did have a romantic relationship before, during, and after the player’s involvement with Bill, we never genuinely receive an explanation for that. The storylines of the television program and video games diverge at this point.
Joel and Ellie need assistance and supplies when you first encounter Bill in the video games, and it’s up to you as the player to find your way through Bill’s traps. Bill rushes to the rescue after Bill and Joel accidentally warn a troop of the Infected.
Bill acknowledges Frank but doesn’t go into great detail about their connection when the chaos settles and Joel describes his goal to protect Ellie as they travel across the country.
“Once upon a time, I had somebody that I cared about, it was a partner, somebody I had to look after. And in this world that sort of shit is good for one thing, gettin’ ya killed,”
The three quickly come across a dead body hanging from a rope. While disturbed, Bill makes an effort to maintain his composure. He recognizes the body as Frank and notes that Infected has bit the corpse.
Bill explains, “He was my partner. He’s the only idiot that would wear a shirt like that.” Joel speculates that Frank hanged himself after contracting the infection, but a nearby suicide note—”I want you to know I despised your guts,” Frank wrote—suggests the two had a falling out.
Once you have the necessary materials, you borrow Bill’s car to help Joel and Ellie on their cross-country trek. Ellie admits she allowed herself to a stack of magazines in a cutscene. She then reveals it to be an adult magazine with a man on the cover and says, “I’m sure your ‘friend’ will be missing this tonight.”
She quips, “Light on the reading, but it’s got some interesting photos.” The magazine isn’t for youngsters, Joel informs her. Joel cannot answer her question about why some of the pages are “stuck together.”
She tells Joel, “I’m just f—king with you,” before throwing the magazine out the window. Although Bill is briefly mentioned in The Last of Us Part I and the sequel, we never see him again.
The episode’s director, Peter Hoar, explained to Entertainment Weekly, “The word ‘partner’ is used, and it’s in a limited emotional sense.”
“You’re like, ‘Business partner maybe?’ And this is why I love how they told that story [in the game] because it feels like it happens just off camera and then you have to run away again, ’cause games can’t stop.”
These are the only indications of Bill’s s*xual orientation in The Last of Us game, although the HBO series significantly develops his story. The type of origin tale of Bill is revealed in episode three. His hometown of Lincoln is evacuated when the fungal outbreak—which would swiftly wipe off the majority of humanity—begins.
Residents are sent to quarantine zones (QZs), but if those zones were complete, they would be put to death. Joel (Pedro Pascal), upon seeing a mass grave nearby the town, tells Ellie (Bella Ramsey), “Dead people can’t be infected.”
Bill, though, is happy to be alone himself at last. To defend himself from raiders and The Infected, he spends time robbing Home Depot, constructing an electric fence, and placing boobytraps. He also becomes utterly self-sufficient in terms of food and, perhaps more importantly, fine wine, which he purchases from the neighborhood liquor store.
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He has lived in complete seclusion for four years, which is good with Bill. But when Frank unintentionally steps into one of Bill’s traps while attempting to reach the Boston QZ, everything is turned upside down.
Bill offers Frank a hot supper with a fine wine pairing, a hot shower, and some new clothes out of caution for his new guest. They connect at first via their appreciation of the better things. Frank pulls out a book of Linda Ronstadt sheet music when he sees a vintage piano and awkwardly performs “Long Long Time.”
Bill joins in and contributes his heartfelt performance. When Frank inquires about the female Bill is singing about, Bill responds, “It’s not a girl,” and the two are moved. After their kiss, their conversations in the bedroom are awkward and romantic.
After 16 years, they are still together after Frank adds that he would like to spend a few more days. Bill doesn’t want to face the world alone, so he and Frank commit suicide jointly as Frank’s health deteriorates from an undiagnosed ailment.
“This isn’t the tragic suicide at the end of the play,” Bill says. “I’m old, I’m satisfied, and you were my purpose.”
Despite his initial rage, Frank later admits that it is “from an objective point of view, it’s incredibly romantic.” After finishing their last drink, they head upstairs to their shared bedroom, where they will spend all their time.
Joel notices something is wrong when he and Ellie arrive at Bill and Frank’s because of the dry, dead flowers on the doorstep. A note written by Bill and addressed “to whomever but probably Joel” is found by Ellie.
Bill requests that the bodies of himself and Frank be left in the bedroom undisturbed but that they leave a window open so the house won’t smell.
“I never liked you but, still, it’s like we’re friends. Almost. And I respect you,” writes Bill.
“I used to hate the world and I was happy when everyone died, but I was wrong because there was one person worth saving and that’s what I did. I saved him and I protected him. That’s why men like me and you are here. We have a job to do.”
This remark fits in well, yet it goes against what Bill advises Joel throughout the game: showing compassion would ultimately lead to your demise. True lovers of the game should be happy because it’s a lovely departure from the games.
Craig Mazin also created the show and told EW that “Bill” is a fascinating guy.
“I love the idea of a guy who was actively preparing for the world to end, and when it did he was like, ‘Good!’ Bill in the game is a dark prediction of where Joel could end up if he doesn’t open his heart back up again: alone in a fortress of his own making, paranoid and grouchy….
I felt like, we can go and actually do a different thing, which is to say there’s an omen of hope. You can actually, in this world, still find somebody that you can share your life with. Nobody lives forever, but the goal that we should all have is to have a good life. And when the end comes, we are satisfied.”
The Last of Us may be shown on HBO Max. On Sundays at 9, new episodes air.
